Lady Anne’s Dangerous Man – Jeane Westin

Cover - Lady Anne's Dangerous Man by Jeane WestinThere are times when I feel like I need to confess the awful truth to Wendy and HelenKay (and, well, Lorna and L.J.). This is one of them. When it comes to picking books for review, I have almost no process. I pretend I do, and sometimes that pretending leads to an actual thoughtful choice.

But mostly it’s a matter of serendipity mixed with my desire to read where no reviewer has read before. But it’s the serendipity that seems to lead me to the most interesting books. In the case of Lady Anne’s Dangerous Man by Jeane Westin, I was poking through the teetering book pile, desperately seeking something new and different to read. Not even for review. I just wanted something that would let me escape for a little while. I was aiming for disposable but interesting.

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Lover Awakened by J.R. Ward

loverawakened.jpgWendy: It isn’t often that an author or book emerges from the vast ocean of yearly romance releases and stands outs as a talent or story that must be given attention. In any genre, talent is at a premium, and the argument that more books are released than there are capable writers to pen them is an easy one. That is an especially easy criticism of romance where there are so many books and so few authors offering originality. When J.R. Ward hit romance shelves a year ago with Dark Lover the impact was immediate. There she was, that fabled romance author with the skill to build an epic world of her own and the writing chops to lure readers into it. Then, six months later with the release of Lover Eternal it became clear that not only could Ward lure readers in, she could keep them in the palm of her hand as well. Perhaps then, it shouldn’t be surprising that a mere year after the first of the Black Dagger Brotherhood series came out, the third, Lover Awakened has Ward bound for New York Times bestseller list glory and a place among the upper echelon of genre writers.

The success of the series is balanced between Ward’s ability to write a story that envelopes and an imagination fertile enough to give birth to the six warrior vampires who make up the Brotherhood: Phury; Vishous; Zsadist; Rhage; Wrath; and Tohrment. They are over-the-top males who make standard issue alphas look like cotton candy. Their world, where the Brotherhood is pledged to protect the civilian population (non-warrior vampires) from lessers (slayers), like their names, seems ripe for the preposterous to come into play. And yet, it never does. Ward balances the deadly serious business of eliminating lessers with the levity of the Brothers’ love of hip-hop, rap, shitkickers, and designer clothes.

As a connected series, with each new book focusing on a different Brother and the female destined to become his shellan (like a wife, but more intense), it wasn’t much of a surprise that the series’ second book, Lover Eternal, set up the newest release, Lover Awakened. What was a surprise was which of Ward’s Black Dagger Brotherhood vampires emerged as the hero: Zsadist. As the mangled and broken twin to Phury, Zsadist has been a dark, fearsome element in the Brotherhood, the sort of character scary enough to menace a band of killers. Even still his tormented past as a sexually abused blood slave brought a humanity, however tortured, to Zsadist and a hope for his redemption.

Fate and the ruptured mechanisms of his own mind dealt Zsadist heavy blows and perhaps that’s why Ward didn’t wait to tell Zsadist’s tale and give him a path out of hell. Or, perhaps Zsadist’s story couldn’t wait because there is so much to tell, so much twisted past to unravel, so much wrapped in the Yin Yang relationship he shares with his twin. And then there’s Bella. Bella who is beautiful, and a member of the vampire aristocracy. Bella who is unblemished, unmarred, a female of worth, perfect to Zsadist’s way of thinking; so perfect, in fact, that only his antithesis, Phury, could be good enough for her. Bella who, inexplicably, doesn’t want the Yang, she wants the Yin.

It’s when Bella is kidnapped by a lesser that Zsadist begins to thaw emotionally. As Lover Awakened opens, Bella has been missing for six weeks and Zsadist has spent that time in a frenzy bordering on mania looking for Bella, vowing vengeance and bringing death to all the lessers he comes across. Oddly, Bella’s rescue doesn’t happen forthwith. The lesser who captured Bella, O, has come to “love” her, and takes great pains to assure the captive he calls “wife” stays with him and information about her stays out of the Brotherhood’s hands. Bella’s time in captivity is horrible to say the least and when Zsadist does rescue her, Bella has been beaten, the lesser has carved his human name, David, into her stomach, and stitched her eyelids shut. She’s endured the sort of physical and emotional trauma that it would likely take years to recover from. What is odd about Bella’s extended time with the lesser is that Ward doesn’t employ its aftermath to the fullest extent.

Like the two previous Black Dagger Brotherhood books, Lover Awakened is the hero’s story often at the expense of the heroine. So it shouldn’t be surprising that Zsadist’s salvation comes at the exclusion of Bella’s recovery. Her physical scars heal, she conveniently cannot remember the emotional trauma, and other than Zsadist’s repeated vows to avenge her, Bella’s ordeal seems of no impact. The downside to any series is a lot like the down side of a poorly ordered short story collection: it becomes too easy to see the author’s tricks, crutches, and weaknesses. Ward has a tendency to short change her heroines – it’s understandable when the larger-than-life heroes are hogging all the attention – and this third installment of the series shines a bright light on Ward’s discount on her female characters.

Nonetheless, Zsadist and Bella’s romance plays out in emotional starts and fits, continually running into the ghosts of brutality Zsadist endured as a blood slave. Bella’s love for Zsadist, her dependence on him are immediate, but his journey out of the misery that left him both mentally and sexually crippled is a long, slow one. At times Zsadist progress is imperceptible, the greatest thrust of changing coming in the last pages of the book.

A book of some four hundred and thirty pages should provide enough space to tell a story. Lover Awakened doesn’t quite accomplish that, perhaps because Ward gives her characters story in abundance. Or, maybe the book’s focus isn’t quite tight enough. Lover Awakened is heavy with both characters and their points of view. Much time is spent with Phury as he deals with his own feelings for Bella and how those feeling create yet another avenue for him to scarifice his wants and needs to those of this stricken brother. O, the lesser who kidnapped Bella, has always had his own story arcs, but here, his continued obsession over Bella, even after her rescue, seems a misstep. O, and all lessers, raison d’etra in this series is to be an opponent of the Brotherhood, and here O doesn’t fulfill that role. The orphan boy John, a vampire who has yet to go through the change, gets a lot of page time as he negotiates his way through training for Brotherhood and finds his place in a vampire family. Then there is Rehvenge, Bella’s brother, who turns out to have a few secrets, the least of which isn’t well kept at all.

What makes this world – and by extension, the series – so fantastic is the breadth and depth of what Ward puts on the page. It’s those same qualities, however, that detract from the romance, too much time and attention are spent elsewhere. And yet, Lover Awakened is an enveloping, captivating read. The third installment doesn’t misstep so much as it creates a slight catch in the series’ stride. Ward’s ability to draw the reader in and keep them with there with every turn of the page is undiminished. Lover Awakened might be lesser to its processors, but it’s still better than everything else on the new release table.

HelenKay: The wounded hero. His presence looms in romance novels, sometimes as the actual hero and sometimes as a secondary player who shouts “future hero” every time he walks on the page. Rough and aloof on the outside, broken by a devastating event in his past that stifles his future, he wanders through life just existing. Under the hard exterior and attitude decency and honor remain, but the idea of love and true emotion is all but dead. In fiction, the idea of redeeming this lost soul is the ultimate romantic fantasy. If only the hero could find the right woman, he could then break through his shell, enjoy true love and live the life he truly deserves.
Enter Zsadist. Zsadist or Z, the most haunted and raw of the vampire warriors in J.R. Ward’s Black Dagger Brotherhood series, lives a spare and dark existence. He kills without remorse, refuses affection and physical contact, shuns intimacy in every form, deprives himself of all comforts and walks the thin line between sanity and insanity. In sum, he appears irredeemable, his humanity lost forever. Kidnapped from his family when very young and separated from his twin, fellow warrior vampire Phury, Zsadist was sold first into slavery. Then his life took an even more horrific turn. His mistress, the woman who owned him, made him a blood slave – sexual slave – keeping him bound and forcing him to serve her and the various men she brought down to the dungeon to meet Zsadist. As a result, Zsadist isn’t just wounded, he’s an empty shell.

Somehow Zsadist retains a tenuous bond with the Brotherhood, the group of vampires charged with protecting other vampires. He is loyal but detached. The only person for whom he feels a spark of real feeling outside of the Brotherhood is Bella, a member of the vampire aristocracy. At the end of Ward’s previous novel, Lover Eternal, Bella is kidnapped by a Lesser. The Lessers are a society of soulless vampire hunters. Bella’s kidnapper imprisons her, worships her, beats her and calls her wife. Zsadist rescues her.

The attraction between Bella and Zsadist is not a secret. Tension radiates off the page when they appear together. There is a pulse that underlies all of their interaction. They share a bond he refuses to recognize and she refuses to ignore. Despite Zsadist’s many attempts to push Bella’s affection toward Phury, Bella remains steadfast in her devotion to Zsadist despite his scars, both physical and emotional.

Many times the tortured hero can only connect with a woman through sex. He lacks emotion and functions only on physical need. Part of the brilliance of Zsadist’s relationship with Bella is that the level of disconnect stems from Zsadist’s warped view of sexuality. He doesn’t jump into bed with her and then insist that’s all they can ever have together – a standard romance novel claim. Instead, Zsadist wants Bella but fears sexual excitement to the point of being repelled by it. He fights his natural urges and even refers to his sexual organ as “it” as a way of separating himself from the twisted sexual violations of his past. This layering of fears and dysfunction adds depth to the relationship and an honesty that is often missing in the fix-the-tortured-hero scenario.
Lover Awakened continues the fight between the Lessers and the Brotherhood started in earlier series books. The ongoing battle serves as the background for everything else that takes place. This aspect of the plot remains just that – ongoing. The battle does not end or find its completion here. Instead, the focus is on Zsadist’s re-connection with life and the unfolding romance between Zsadist and Bella. Other members of the Brotherhood play major roles here as their motivations and personalities become clearer and, in some cases, less clear. The reader is dragged deeper into the world of the Brotherhood, with a peek into the workings of the Lessers and glimpses of future heroes and books in the series.
By the end of Lover Awakened, one romance blossoms just as the world of the Brotherhood is blown apart by a shocking death. The move is a risky one by Ward, but one that fits well with the other choices she makes and with the overall mood of the series. Also, the young warrior trainee John plays a larger role here, with his murky background hinting at a significant future. This wordlbuilding is handled with an expertise and subtle hand that makes the idea of warrior vampires, drug-dealing vampires and all vampires easy to believe.

In a book that’s part buddy movie in the same vein as Band Of Brothers with vampires in the lead roles, part romance and part paranormal, Ward shapes distinct, damaged and compelling characters. The fast pace and true character growth combine with the dark overlay of the existing world to create a novel that works on all levels . The relationships unfold with the difficulties and pain felt in real-life relationships. Zsadist’s bonds with his brother, with the Brotherhood and with Bella are explored with a richness and intimacy that takes Ward’s storytelling to an inspiring level.

Wendy’s Question: What is the orphan boy John’s role in these books? Is he another avenue for Ward to world and story build? Or, is Ward employing a very long set-up for John to be the series’ hero of heroes?

HK’s Answer: At first Ward seemed to use the existence of John to show not only the humanity of the Brotherhood but also the promise of its future. Now, as his past unfolds, it is clear John will play a major role in the Brotherhood series. My guess is he is both a future hero – probably the last hero in the series in light of his current age – and either an answer to, or source of, a huge future unveiling in terms of worldbuilding. But, that’s just a guess. The good news is that while in some books the younger side characters tend to annoy because their presence appears superfluous, John is different. His role hints at a much grander scheme. Just one more reason to keep reading this series…

HK’s Final Thoughts: A unique twist on the damaged hero theme in a series that grows and improves with each book.
You can visit J.R. here and purchase this book here or here.

Cocktails For Three – Madeleine Wickham

Cocktails for Three cover I am, or so I believe, a great proponent of escapist fiction. I’m not particularly opposed to reality in my fiction, but it’s not really a big issue for me. If I can, for example, settle into a coach seat during an east-to-west coast flight, open my book, and not notice “Everybody Loves Raymond” on the monitor, it’s a good flight for me.

So, yeah, when I was anticipating the flight home from Washington DC after BEA, I sorted through my loot for the perfect escapist read. Being one who found the first “Shopaholic” book quite entertaining, I chose Cocktails For Three by Madeleine Wickham aka Sophie Kinsella to be the book in my lap as we taxied down the runway. Alas, I should have recalled that the subsequent Shopaholic books were lacking that certain je ne sais quoi.

Which is to say that I found them unreadable.

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The Taming of the Duke by Eloisa James

thetamingoftheduke.jpg In the past few months the publishing industry has seen scandals that range from the eyebrow raising variety, to the forever-alter-the-way-business-is-done variety. The latter, of course, refers to James Frey’s embellished memoir; the former could be filled by any number of minor disgraces authors and publishers have endured. It wasn’t that long ago, a little over a year, that the book business scandal of the moment was Fordham University Professor Mary Bly’s confession that she writes romance under the nom-de-plume Eloisa James. In the wake of A Million Little Pieces, Bly’s confession hardly seems worthy of ink. There is no true scandal in an academic with degrees from Harvard, Yale and Oxford writing those books. More importantly, James writes with too much elegance to be anything less than an asset to romance.

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Lover Eternal by J.R. Ward

lovereternal.jpg Wendy: Romance’s greatest strength lies in its numbers: the number of readers it claims, the number of sales it racks up, the number of authors who forge a career in it, and the number—the sheer volume—of romance titles released each year. While many of those titles are familiar retreads of what has come before, there is always a gem awaiting discovery. Just when it seems every angle and possibility has been played out, a new voice, a new perspective comes along to breathe new life into the old constructs and to play hard and fast with the old rules. These discoveries don’t come along often enough, but when they do, they are something more than simply a good read: they are a reminder of all the reasons why romances are passionately consumed and lovingly cherished. J.R. Ward’s The Black Dagger Brotherhood series of paranormal romances are those rare gems, full of heroes that are a higher order of Alpha Male, heroines that bring those heroes to heel, and stories that are obstacle and conflict rich.

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Wolf At The Door by Christine Warren

wolfatthedoor.jpg Of all the interesting paradoxes that exist in genre romance the oddest, or most absurd perhaps, is that paranormal romance has taken the creatures of the night and turned them into heroes and heroines. To be fair, the vampires, witches, and werewolves that once played the roles of monsters have undergone an image makeover that left them not so monstrous, but rather, toothless, without much power, and neutered. It’s understandable really: a hero viewing a heroine as a tasty meal—and not the sexual kind—isn’t too sexy, or a good basis for a love story. Unfortunately, some important elements of these other beings have been lost to the image overhaul. For example, what’s exciting and compelling about werewolves is the classic man against beast conflict which leads so eloquently to man against man conflict. But, in the toothless version that is so often presented in paranormal romance, werewolves are shape-shifters not enslaved to the full moon, not possessed to bite and kill people, and therefore not in danger of being killed themselves. Not only does this watered down version lack inherent conflict, by taking away the gruesome, helpless aspect of lycanthropy the compelling reason for it to exist in a story is also removed. What’s left is a man or woman who can shift into an animal. What is the purpose of that?

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The Hunter’s Prey by Diane Whiteside

thehuntersprey.jpg Wendy:  The rally cry amongst authors and fans of ebooks has long been “they’re good enough for New York publishing, but not homogenized enough for the big publishing zeitgeist”. Or words to that effect.  Whether that’s true or not continues to be hotly debated; what is clear, however, is that in delivering an ever increasingly erotic product to hungry readers, epublishers have led the way into steamier and steamier territory.  With the marketplace for erotica and erotic romance identified and demand skyrocketing, mainstream publishers can’t create super hot imprints fast enough.  So, what about the writers who turn out that erotic product?  As long as the behemoths are benefiting from the demand created by online presses, they might as well reap the authors of ebooks as well.    

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Kiss The Year Goodbye by Brenda L. Thomas, Tu-Shonda L. Whitaker, Daaimah S. Poole and Crystal Lacey Winslow

kisstheyeargoodbye.jpg
Wendy:  If there is one thing the holiday season guarantees, it is the frenzied speculation over what was hot and was not from the previous months, what can’t be missed entering the new year and what, absolutely, should not be repeated. This is true in movies, music, fashion, and, naturally, books. In the case of Kiss The Year Goodbye, a new anthology featuring novellas by four authors, the question might not be hot or not, but: What could have been?

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