HelenKay: Trouble in High Heels highlights the fine difference between an imaginary scenario and a truly unbelievable one. The former may qualify as solid fiction if accompanied by strong writing, fully developed characters and a unique voice. But combine that questionable plot with flat characters and the only thing the reader gets is a long, dull read.
Wendy: It isn’t often that an author or book emerges from the vast ocean of yearly romance releases and stands outs as a talent or story that must be given attention. In any genre, talent is at a premium, and the argument that more books are released than there are capable writers to pen them is an easy one. That is an especially easy criticism of romance where there are so many books and so few authors offering originality. When J.R. Ward hit romance shelves a year ago with Dark Lover the impact was immediate. There she was, that fabled romance author with the skill to build an epic world of her own and the writing chops to lure readers into it. Then, six months later with the release of Lover Eternal it became clear that not only could Ward lure readers in, she could keep them in the palm of her hand as well. Perhaps then, it shouldn’t be surprising that a mere year after the first of the Black Dagger Brotherhood series came out, the third, Lover Awakened has Ward bound for New York Times bestseller list glory and a place among the upper echelon of genre writers.
The success of the series is balanced between Ward’s ability to write a story that envelopes and an imagination fertile enough to give birth to the six warrior vampires who make up the Brotherhood: Phury; Vishous; Zsadist; Rhage; Wrath; and Tohrment. They are over-the-top males who make standard issue alphas look like cotton candy. Their world, where the Brotherhood is pledged to protect the civilian population (non-warrior vampires) from lessers (slayers), like their names, seems ripe for the preposterous to come into play. And yet, it never does. Ward balances the deadly serious business of eliminating lessers with the levity of the Brothers’ love of hip-hop, rap, shitkickers, and designer clothes.
As a connected series, with each new book focusing on a different Brother and the female destined to become his shellan (like a wife, but more intense), it wasn’t much of a surprise that the series’ second book, Lover Eternal, set up the newest release, Lover Awakened. What was a surprise was which of Ward’s Black Dagger Brotherhood vampires emerged as the hero: Zsadist. As the mangled and broken twin to Phury, Zsadist has been a dark, fearsome element in the Brotherhood, the sort of character scary enough to menace a band of killers. Even still his tormented past as a sexually abused blood slave brought a humanity, however tortured, to Zsadist and a hope for his redemption.
Fate and the ruptured mechanisms of his own mind dealt Zsadist heavy blows and perhaps that’s why Ward didn’t wait to tell Zsadist’s tale and give him a path out of hell. Or, perhaps Zsadist’s story couldn’t wait because there is so much to tell, so much twisted past to unravel, so much wrapped in the Yin Yang relationship he shares with his twin. And then there’s Bella. Bella who is beautiful, and a member of the vampire aristocracy. Bella who is unblemished, unmarred, a female of worth, perfect to Zsadist’s way of thinking; so perfect, in fact, that only his antithesis, Phury, could be good enough for her. Bella who, inexplicably, doesn’t want the Yang, she wants the Yin.
It’s when Bella is kidnapped by a lesser that Zsadist begins to thaw emotionally. As Lover Awakened opens, Bella has been missing for six weeks and Zsadist has spent that time in a frenzy bordering on mania looking for Bella, vowing vengeance and bringing death to all the lessers he comes across. Oddly, Bella’s rescue doesn’t happen forthwith. The lesser who captured Bella, O, has come to “love” her, and takes great pains to assure the captive he calls “wife” stays with him and information about her stays out of the Brotherhood’s hands. Bella’s time in captivity is horrible to say the least and when Zsadist does rescue her, Bella has been beaten, the lesser has carved his human name, David, into her stomach, and stitched her eyelids shut. She’s endured the sort of physical and emotional trauma that it would likely take years to recover from. What is odd about Bella’s extended time with the lesser is that Ward doesn’t employ its aftermath to the fullest extent.
Like the two previous Black Dagger Brotherhood books, Lover Awakened is the hero’s story often at the expense of the heroine. So it shouldn’t be surprising that Zsadist’s salvation comes at the exclusion of Bella’s recovery. Her physical scars heal, she conveniently cannot remember the emotional trauma, and other than Zsadist’s repeated vows to avenge her, Bella’s ordeal seems of no impact. The downside to any series is a lot like the down side of a poorly ordered short story collection: it becomes too easy to see the author’s tricks, crutches, and weaknesses. Ward has a tendency to short change her heroines – it’s understandable when the larger-than-life heroes are hogging all the attention – and this third installment of the series shines a bright light on Ward’s discount on her female characters.
Nonetheless, Zsadist and Bella’s romance plays out in emotional starts and fits, continually running into the ghosts of brutality Zsadist endured as a blood slave. Bella’s love for Zsadist, her dependence on him are immediate, but his journey out of the misery that left him both mentally and sexually crippled is a long, slow one. At times Zsadist progress is imperceptible, the greatest thrust of changing coming in the last pages of the book.
A book of some four hundred and thirty pages should provide enough space to tell a story. Lover Awakened doesn’t quite accomplish that, perhaps because Ward gives her characters story in abundance. Or, maybe the book’s focus isn’t quite tight enough. Lover Awakened is heavy with both characters and their points of view. Much time is spent with Phury as he deals with his own feelings for Bella and how those feeling create yet another avenue for him to scarifice his wants and needs to those of this stricken brother. O, the lesser who kidnapped Bella, has always had his own story arcs, but here, his continued obsession over Bella, even after her rescue, seems a misstep. O, and all lessers, raison d’etra in this series is to be an opponent of the Brotherhood, and here O doesn’t fulfill that role. The orphan boy John, a vampire who has yet to go through the change, gets a lot of page time as he negotiates his way through training for Brotherhood and finds his place in a vampire family. Then there is Rehvenge, Bella’s brother, who turns out to have a few secrets, the least of which isn’t well kept at all.
What makes this world – and by extension, the series – so fantastic is the breadth and depth of what Ward puts on the page. It’s those same qualities, however, that detract from the romance, too much time and attention are spent elsewhere. And yet, Lover Awakened is an enveloping, captivating read. The third installment doesn’t misstep so much as it creates a slight catch in the series’ stride. Ward’s ability to draw the reader in and keep them with there with every turn of the page is undiminished. Lover Awakened might be lesser to its processors, but it’s still better than everything else on the new release table.
HelenKay: The wounded hero. His presence looms in romance novels, sometimes as the actual hero and sometimes as a secondary player who shouts “future hero” every time he walks on the page. Rough and aloof on the outside, broken by a devastating event in his past that stifles his future, he wanders through life just existing. Under the hard exterior and attitude decency and honor remain, but the idea of love and true emotion is all but dead. In fiction, the idea of redeeming this lost soul is the ultimate romantic fantasy. If only the hero could find the right woman, he could then break through his shell, enjoy true love and live the life he truly deserves.
Enter Zsadist. Zsadist or Z, the most haunted and raw of the vampire warriors in J.R. Ward’s Black Dagger Brotherhood series, lives a spare and dark existence. He kills without remorse, refuses affection and physical contact, shuns intimacy in every form, deprives himself of all comforts and walks the thin line between sanity and insanity. In sum, he appears irredeemable, his humanity lost forever. Kidnapped from his family when very young and separated from his twin, fellow warrior vampire Phury, Zsadist was sold first into slavery. Then his life took an even more horrific turn. His mistress, the woman who owned him, made him a blood slave – sexual slave – keeping him bound and forcing him to serve her and the various men she brought down to the dungeon to meet Zsadist. As a result, Zsadist isn’t just wounded, he’s an empty shell.
Somehow Zsadist retains a tenuous bond with the Brotherhood, the group of vampires charged with protecting other vampires. He is loyal but detached. The only person for whom he feels a spark of real feeling outside of the Brotherhood is Bella, a member of the vampire aristocracy. At the end of Ward’s previous novel, Lover Eternal, Bella is kidnapped by a Lesser. The Lessers are a society of soulless vampire hunters. Bella’s kidnapper imprisons her, worships her, beats her and calls her wife. Zsadist rescues her.
The attraction between Bella and Zsadist is not a secret. Tension radiates off the page when they appear together. There is a pulse that underlies all of their interaction. They share a bond he refuses to recognize and she refuses to ignore. Despite Zsadist’s many attempts to push Bella’s affection toward Phury, Bella remains steadfast in her devotion to Zsadist despite his scars, both physical and emotional.
Many times the tortured hero can only connect with a woman through sex. He lacks emotion and functions only on physical need. Part of the brilliance of Zsadist’s relationship with Bella is that the level of disconnect stems from Zsadist’s warped view of sexuality. He doesn’t jump into bed with her and then insist that’s all they can ever have together – a standard romance novel claim. Instead, Zsadist wants Bella but fears sexual excitement to the point of being repelled by it. He fights his natural urges and even refers to his sexual organ as “it” as a way of separating himself from the twisted sexual violations of his past. This layering of fears and dysfunction adds depth to the relationship and an honesty that is often missing in the fix-the-tortured-hero scenario.
Lover Awakened continues the fight between the Lessers and the Brotherhood started in earlier series books. The ongoing battle serves as the background for everything else that takes place. This aspect of the plot remains just that – ongoing. The battle does not end or find its completion here. Instead, the focus is on Zsadist’s re-connection with life and the unfolding romance between Zsadist and Bella. Other members of the Brotherhood play major roles here as their motivations and personalities become clearer and, in some cases, less clear. The reader is dragged deeper into the world of the Brotherhood, with a peek into the workings of the Lessers and glimpses of future heroes and books in the series.
By the end of Lover Awakened, one romance blossoms just as the world of the Brotherhood is blown apart by a shocking death. The move is a risky one by Ward, but one that fits well with the other choices she makes and with the overall mood of the series. Also, the young warrior trainee John plays a larger role here, with his murky background hinting at a significant future. This wordlbuilding is handled with an expertise and subtle hand that makes the idea of warrior vampires, drug-dealing vampires and all vampires easy to believe.
In a book that’s part buddy movie in the same vein as Band Of Brothers with vampires in the lead roles, part romance and part paranormal, Ward shapes distinct, damaged and compelling characters. The fast pace and true character growth combine with the dark overlay of the existing world to create a novel that works on all levels . The relationships unfold with the difficulties and pain felt in real-life relationships. Zsadist’s bonds with his brother, with the Brotherhood and with Bella are explored with a richness and intimacy that takes Ward’s storytelling to an inspiring level.
Wendy’s Question: What is the orphan boy John’s role in these books? Is he another avenue for Ward to world and story build? Or, is Ward employing a very long set-up for John to be the series’ hero of heroes?
HK’s Answer: At first Ward seemed to use the existence of John to show not only the humanity of the Brotherhood but also the promise of its future. Now, as his past unfolds, it is clear John will play a major role in the Brotherhood series. My guess is he is both a future hero – probably the last hero in the series in light of his current age – and either an answer to, or source of, a huge future unveiling in terms of worldbuilding. But, that’s just a guess. The good news is that while in some books the younger side characters tend to annoy because their presence appears superfluous, John is different. His role hints at a much grander scheme. Just one more reason to keep reading this series…
HelenKay: In this second book in the series that started with Kitty and the Midnight Hour and is already slated to run for two more adventures in 2007, Vaughn proves one thing: politics can suck the life out of anything and anyone.
In acknowledgement and appreciation of everyone who wrote us to say they’d like to see a review of HelenKay Dimon’s debut, When Good Things Happen to Bad Boys, we offer you instead an interview with HelenKay. Here at PBR we are committed to reviewing with journalistic integrity and part of that coda is: don’t review your friends. Does it happen elsewhere? Sure. But, we really believe in integrity and this just seemed like a no-no. People weren’t exactly lining up to agree to review HelenKay’s book on PBR. Probably had something to do with being afraid of her.
Oh, and HelenKay hears enough of Wendy’s opinions during the book writing process without having to bear them for the world to see.
HelenKay: Reunion romances walk a fine line between engaging and annoying. Readers will abandon some measure of common sense in favor of the promise of love triumphing over time and distance. The ultimate romantic notion is in believing people can hold on to a forever-kind-of-love through adversity, family differences and difficulties tearing them apart, only to find each other again years later and still feel that tug and pull. The dangerous ground comes with whatever the awful “it” was that ripped the couple apart. Make it illusory or easy to resolve and – poof – the reader disappears. Lani Diane Rich’s storytelling avoids the annoyance trap in The Comeback Kiss with believable motivations and histories for her heroine and hero. Frankly, even if Rich had faltered in this aspect, most would forgive her thanks to the other strengths of the story, including a lovable hero, humorous dialog and strong suspense thread.
Wendy: The role of the small press has long been to champion what is overlooked by large publishers, to give readers choices beyond the homogenized products turned out by the behemoths, and to find a niche in the marketplace and fill it. In the last few years electronic publishers have done exactly that for romance, offering not only sub-genres and styles untouched by New York or Toronto, but authors as well. The electronic publishers aren’t the whole story, however; there are traditional small publishers (and next to Penguin USA everyone is small) out there, presses that don’t put out a few books a month, but rather a few books a year. What role are they to fill? Is there something unnoticed that only a small press could bring attention to? If Medallion Press is any indication, the role of this small publisher isn’t a niche market, but direct competition for the Big Boys.
HelenKay: The front cover of Sword of Darkness starts out with a joke. Sherrilyn Kenyon provides a cover quote praising MacGregor’s first book in the Lords of Avalon series. Kenyon and MacGregor are, of course, the same person. Hence the joke. Kenyon explains in her Author’s Note at the end of the book, that the quote grew out of a conversation with her editor. The real question is: when a book begins with a jest and then takes on a legend as strong and pervasive as King Arthur, will the joke be on the reader?
Wendy: Romance’s greatest strength lies in its numbers: the number of readers it claims, the number of sales it racks up, the number of authors who forge a career in it, and the number—the sheer volume—of romance titles released each year. While many of those titles are familiar retreads of what has come before, there is always a gem awaiting discovery. Just when it seems every angle and possibility has been played out, a new voice, a new perspective comes along to breathe new life into the old constructs and to play hard and fast with the old rules. These discoveries don’t come along often enough, but when they do, they are something more than simply a good read: they are a reminder of all the reasons why romances are passionately consumed and lovingly cherished. J.R. Ward’s The Black Dagger Brotherhood series of paranormal romances are those rare gems, full of heroes that are a higher order of Alpha Male, heroines that bring those heroes to heel, and stories that are obstacle and conflict rich.
HelenKay: Romantic conflict. There are competing views on this issue. Some argue that a romance novel, by its very definition, requires an attraction between the hero and heroine as well as compelling reason to keep them apart – the something standing between the hero and heroine that prevents a happily ever after from being a foregone conclusion. Others say that a romantic conflict pulling the hero and heroine apart often feels trite or forced because we know how that part of the story will end. For these folks, something else can drive the plot without having the story suffer. Parallel Attraction should appeal to the latter group but will likely violate all the “rules” set out by the former.
Wendy: Bittersweet, freezer burn, front end…Christian romance? Is it another oxymoron or can a genre largely geared to titillate work god into the relationship between hero and heroine? Inspirational romance has been around too long to question the legitimacy of its existence or perhaps even ponder the necessity of mixing faith into a genre famed for its carnality. But what appeal can Inspirationals have for a readership not interested in finding a morality play intertwined with their foreplay? If Fair Warning, the latest offering from the husband and wife writing team known as Hannah Alexander, is any indication, not a lot.